One
Day Only 7 commences Participants arrive Friday night, meet,
get photos taken (no headshots allowed) SpeedBondTM,
write down words or phrases on slips of paper, writers choose their
fate, choose their computer and choose their coffee mugs |

Patti got there early and got drafted into being "The Light Dummy"
for the photographer. | 
Margo is unselfconscious about her height. We aim to fix that. |

Christopher
offers $5 to trade topics with passersby |

Crowd looks on in horror as writers announce the topics... what they'll be acting
in tomorrow. |

Morning comes waaaay too soon Directors arrive, fight over coffee and
bagels, fight over scripts, fight over photos for casting ... er I mean negotiate.
and start rehearsing |
|
|
|
|
|
|
|
|
 Yes,
a script called for one. Yes, someone had it in their back seat. No, we
don't make these things up. |
|
|
Two men trapped
against grey wall | |
| |
|
| | |
Tech
Rehearsals |
Quick Dinner
- guitars, pizza, we tried to find a street mime, but hey, short notice and all. |

This can only mean one thing... |

Yep! Lights
up... Who gave HIM a microphone?!? |
Two Reasons to Celebrate by Mary Gonzales Davis Directed
by Connie Salsman |
 |  |
 |  |
Mister Little Miss Firecracker by Tommy Looney Directed
by Dennis Sloan |
 |  |
 |  |
 |
Rules of the Game by Grayson Harper Directed by Garrison
Ausburn |
 |  |
 |  |
Stranger than Fiction by J. Christopher Campbell Directed
by Matthew Groff |
 |  |
 |  |
Thrombocoloxitranovert by Marc B. Rouse Directed by Bob
Athey |
 |
 |
 |  |
 |
No Pain, No Drain by Matthew J. Edwards Directed by Cherie
Grandstaff |
 |  |
 |  |
 |
Decomposing Theater by Bill Fountain Directed by Bob White |
 |
 |
 |  |
 |  |
 |
And while it's true that participants usually look a bit worse
for the wear after a One Day Only, these guys can't blame the schedule as much
as the (yes, again one was there, no two! - randomly) Horror FX Artists And
there's more about this one at Bill's
site |
 | 
|
| Proof
they were all actually in one place at the same time....  |
...
and again captured by high speed photography before the blue-shift blur of the
event set in.

|
| |
| |